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Books 
1994 The Rhythmic Principles and Practice of South Indian Drumming, Lalith Publishers, Toronto
1977 The Art of Drumming. South Indian mrdangam (Private edition), Toronto.
Articles 
2004 Semmangudi Srinivasa Iyer: A Tribute. KALA, Toronto
Spring 2004, Vol.8, Issue 3. pp. 14-15
2004

Voice Culture in Carnatic Music. KALA, Toronto
Spring 2004, Vol.8, Issue 3 p. 19

2004 Layam. SIFA (South Indian Fine Arts 25th Anniversary brochure) San Jose, CA
 
2003 The percussion instruments in South Indian classical music with a special reference to mrdangam
Sruti, The India Music and Dance society, Philadelphia, PA
2002 Arts and Cultures Dialogue. Tyagaraja Festival brochure
Bharati Kala Manram, Toronto
2002 A Biography on the legendary mrdangam maestro
Sri Palani Subramania Pillai, Lalith Publishers, Toronto
1997 Music for Bharatanatyam, Interview with Andrew Timar. Kala Magazine, Vol. 2, Issue 1, Toronto
1997 Sri Tyagaraja, Kala Magazine, Vol. 1, Issue 3, Toronto
1990 Transplantation and transformation: Musiefrom India in the Canadian environment. Ethnomusicology in Canada CanMus, 5, Ed. Robert Witmer, Toronto, 1990, pp. 119-123 Writing For Gamelan Music. Musicworks 47, pp.24-27
1989 Rhythmic Analysis of Some Selected Tiruppugazh Songs (Madras, 1989) in The Journal of the Music Academy, Vol. LX, pp. 92-102
1987 The Palani Style, Sruti, Vol. 3 3/34, pp. 2 8-29
1986 Improvisation in Indian (Karnatak) music with a special reference to its rhythmic aspects. The Journal of the Music Academy, Volume LVII, pp. 100- 109
1986 Talavadya Kacced, Percussioner International Vol. 1. No. 2, pp. 16-19
1985 Tune with Time, Interview by James Tenney and Casey Sokol with accompanying cassette of music samples, Musicworks 29, pp. 14-18
1984 The Drumming Principles of South India, Percussioner International, Vol. 1. No. 1, pp. 183-185
1979 Communication of Culture through Music: The Folk & Classical Music of India, Multiculturalism, Vol.11 No.3, pp. 7-13

 

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